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On A Whim

by A Different Thread

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  • Compact Disc (CD) + Digital Album

    Comes in a classic folding card wallet with photos by Chloe Noblit

    Includes unlimited streaming of On A Whim via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 10 days

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  • Record/Vinyl + Digital Album

    Enjoy the album with the warm tones of a 12" vinyl
    Comes in a cardboard sleeve with photos by Chloe Noblit
    Running time: approx 42 mins

    Includes unlimited streaming of On A Whim via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 10 days

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1.
On A Whim 03:23
In this town, nothing’s changed, in fact you look just the same Same old deamons knocking at your door But in this room, between these walls, yeah there lies something more Something simple, something humble, something pure And all my friends are all made up, yeah, some might call that luck But a lucky man still has a price to pay Tell me, what is it I’m supposed to say Should I live this life day by day Or maybe I should risk it on a whim Up in New York, they’re in turmoil, in London they got the blues But in this room, there’s a friend that I could use But all my friends are all made up, yeah someone filled their cup And I’m staring down an empty glass again Singing, what is it I’m doing here Must be time to face my fear Or maybe I should risk it on a whim On a whim On a whim Can’t you hear it calling in the wind On a whim On a whim Can’t you hear it call again Yeah, maybe I’ll just risk it on a whim
2.
Hold Me Down 02:47
Hold me down, for a minute as I hit the ground, for a second as I stir around to ease my itchy feet Hold my tongue, as I figure out my right from wrong, as I find a way to get along, get along with you Hold me down (hold me down), Hold me down (hold me down) Hold me down Hold me down (hold me down), Hold me down (hold me down) Gotta hold me down Call me brave, just for a minute as I dig this grave, for a second as I try and save, save me from myself And hear me out, listen to me as I scream and shout, ‘cause you know you gotta let it out, let it out on me So hold me down (hold me down), Hold me down (hold me down) Hold me dowon Hold me down (hold me down), Hold me down (hold me down) Gotta hold me down
3.
They don’t know I came to town in my wedding dress My shoes were shined, I tried my very best He took my name and he gave me his But I’d rather none than a name like this Lay me in a shallow grave Wrap me in a linen shroud I would settle for a stone without a name Out in the potter’s field I would settle for a stone without a name I never spoke about the silk and the satin too That he gave to me to hide the black and blue But in the dead of night and behind closed doors His rage was never satisfied with more Lay me in a shallow grave Wrap me in a linen shroud I would settle for a stone without a name Out in the potter’s field I would settle for a stone without a name You should’ve seen me on the night I left Bare feet on the floor and part way dressed But it starts in the fingers and it moves from there A frozen girl on the old church stairs Lay me in a shallow grave Wrap me in a linen shroud I would settle for a stone without a name Out in the potter’s field I would settle for a stone without a name Well the prettiest thing I’ve seen since I left the farm Was the frost shining in the morning sun And the care with which the old man lay me down As if he’d lost a daughter of his own Lay me in a shallow grave Wrap me in a linen shroud I would settle for a stone without a name Out in the potter’s field I would settle for a stone without a name
4.
Rosa Rosa 02:50
Rosa, Rosa don’t get the gun, he said Rosa, Rosa life’s too long to stay young, he said Rosa, Rosa, don’t get the gun Then in the dead of night, tip-toe down the hall Why were they sleeping? Why didn’t they hear her fall? Now she’s in a bright room, who was the one to make the call? Who was the one to make the call? Rosa, Rosa don’t get the gun Scissors in the drawer too, She knows life’s unfair Locked up by her mother, who taught her how to care Now she’s in a white room, who was the one to lock her there? Who was the one to lock her there? Rosa, Rosa don’t get the gun Why’d they sit her by the window and Give her a vacant stare Walk her up and down the corridor, but her mind’s not there Twenty feet of rope down and below the water’s deep Have you seen her mother, she’s walking half asleep What good is dreaming? The papers are signed but the bill’s not cheap The papers are signed but the bill’s not cheap Rosa, Rosa don’t get the gun, he said Rosa, Rosa life’s too long to stay young, he said Rosa, Rosa, don’t get the gun Don’t get the gun Don’t get the gun
5.
Hang man, hang man, slack your horse a while I think I see my father coming, traveling many a mile Have you brought me silver or gold to set me free Or have you come to see me hanging high from the gallow tree No I have not brought you silver, nor gold to set you free I have come to see you hanging high from the gallow tree Hang man, hang man, stay your hand a while I think I see my mother coming… over yonder stile Have you brought me silver or gold to set me free Or have you come to see me hanging high from the gallow tree No I have not brought you silver, nor gold to set you free I have come to see you hanging high from the gallow tree Hang man, hang man, hold your rope for me I think I see my lover coming, over yonder sea Have you brought me silver or gold to set me free Or have you come to see me hanging high from the gallow tree Yes, I’ve brought you silver and gold to set you free I’ll save your body from the cold, cold ground and your neck from the hangman's tree Oh that prickly bush, it pricks my heart full sore If I ever get out that prickly bush, I’ll never get in no more
6.
When you feel And you feel All you feel is... Honey and fire Honey and fire It takes And it takes All it takes is... Honey and fire Honey and fire Can you see? Can you see? All you see is... Honey and fire Honey and fire
7.
I’m tired, I’m tired of you holding me back. I’m tired, just let me sleep You’re tired when you lay down beside me and you hold me But I know what you mean Baby look at me, I’m drifting off to sea, sinking slowly Pieces of our broken bed, now used as chairs instead Serves a better purpose, it keeps you in my head I’m gone, I’m tired of waiting for you, I’m gone so let me leave You’re gone even when you’re beside me and you hold me But we fray at the seams I’m looking at you as you drift away from me, sinking slowly Pieces of our broken bed, now used as chairs instead Serves a better purpose, it keeps you in my head I’m gone, (I’m going)I’m tired of waiting for you, (I’m going) I’m gone so let me leave You’re gone even when you’re(please lay down)beside me and you hold me Yeah I know what you mean (Baby look at me) I’m looking at you as you drift away from me, sinking slowly Pieces of our broken bed, now used as chairs instead Serves a better purpose, it keeps you in my… Pieces of our broken bed, now used as chairs instead Serves a better purpose, it keeps you in my head
8.
I hear they put a new light up at the Kraken on 54 I’m back in North Carolina but it don’t feel like home I don’t wanna be living in the past, it seems the past it catching up They say times are a changin’ They say time heals all wounds But I’ve got these ghosts and change can’t come Too soon, Carolina, come too soon They built up the city skyline but we’re not learning It wasn’t long ago we saw the crosses burning Sure I wanna say that we’ve come a long way but we’ve got a lot of catching up They say times are a changin’ They say time heals all wounds But I’ve got these ghosts and change can’t come Too soon, Carolina, come too soon Just like James I hear the highway calling me, I know I’m already gone It never sounds as sweet when I sing your Carolina song Oh Carolina, oh oh They pulled down the statue but its pillar remains Haunting the courthouse it still says ‘to our boys in grey’ You say it’s history but sure seems to me history is catching up They say times are a changin’ They say time heals all wounds But I’ve got these ghosts and change can’t come Too soon, Carolina, come too soon Oh Carolina Oh Carolina, come too soon
9.
Was the farmer still sleeping with his wife by his side, when you left in the morning did you kiss him goodbye And go out in the fields with tears in your eyes Did you open every door for him and close it with a bow, did you wipe away the rain and the sweat from his brow When you were out in the fields and you couldn’t pull the plough And you tore your dress And he said: who would want to dance with the farmers mistress? But she danced like a straw blowin’ in the harvest breeze, bare feet on the floor and a grass stain on her knee Yeah she danced like she was free With a fierce and defiant wind that billowed in her sails and the farmers life was nestled in the dirt beneath her nails And the scars on her hands… told many a tale… and it started with a kiss And he said: who would want a kiss from the farmers mistress? Did you promise you would lie when you ran into his wife, when you locked him in the barn was he begging for his life Did you give him the key or the edge of your knife And beneath the English summer time stars as they collide I see the fury in her flame I see the temper in her eyes And you just couldn’t miss that thorn in her side… And he said: who would want a dance? who would want a kiss? And she said: who would ever guess it was the farmers mistress?
10.
High Time 02:52
I’ve counted all my sheep But they’re still counting me I’m talking in my sleep at night Oh what do I say? No use in trying to hide The ashes from the past Don’t bury them inside yourself Ashes from the past And it’s high time my dear, high time High time my love, high time But now, you’re colours show Your banner flying high The truth with no disguise Your colours are on show So take me by the hand And stubborn as I am I’ll try and understand for you Stubborn as I am ‘Cause it’s high time my dear, high time High time my love, high time
11.
Charlotte 04:26
Headlights on the highway, I saw her by the side of the road Said her name was Charlotte, she’s travelin’ with a heavy load I knew I had to have her, I knew she was mine She climbed up beside me, we headed for the county line Guess I never saw her comin’ Charlotte there’s blood and oil on my hands Charlotte I sold you to another man First time she kissed me, lightning crossed the sky Bare feet on the dashboard, torment in my mind Charlotte forgive me, I thought you were mine Mmmmmm forgive me, I thought that you were mine Guess you never saw me comin’ Charlotte there’s blood and oil on my hands Charlotte I sold you to another man When we broke down in Emery, I couldn’t pay the price I took to drinking whisky to get luck on my side My cards on the table, his eyes on the prize I made a deal with that devil Money for your life Just enough to keep me runnin’ Charlotte there’s blood and oil on my hands Charlotte I sold you to another man “You’ve been running since you left me Travellin’ from coast to coast But when the rain hits the black top You always see my ghost” Your headlights on the highway You’ll see her by the side of the road She’ll say her name is Charlotte And she’s travellin’ with a heavy load
12.
Last light on the water The flight of the birds I'm not good with goodbyes now I'm not good with words The scream of the whistle The steam in the air The clock in the church tower Times doesn't care I asked you to slow down I asked you to stay Are you out like a fire Or aging with grace Last light on the water The flight of the birds I'm not good with goodbyes now I'm not good with words I'm not good with goodbyes now I'm not good with words I'm not good with goodbyes now I'm not good with words

about

The debut album from British Americana band 'A Different Thread'.

Recorded at Arbor Ridge studios in Chapel Hill, North Carolina and featuring musicians local to the 'Triangle' area, this record is a showcase of what ADT can achieve in just 10 back to back days in a studio.

Produced by Jeff Crawford and A Different Thread © ℗ 2018

credits

released September 13, 2018

Songs by Alicia Best and Robert Jackson aside from trad The Prickly Bush. arranged by Robert Jackson.

Potter's Field was recorded live at Ivy Lane Studios in Dartmouth, UK; Cello by Isaac Collier, recorded by Matt Pink and Dan Hughes, mixed by Luke Cawthra. Special thanks to Simon Phelps and Alan Luvell.

All other songs recorded and mixed by Jeff Crawford at Arbor Ridge Studios, Chapel Hill, NC. Featured musicians: Birdie Baird (backing vocals), Alan Best (accordion, mandolin), Jeff Crawford (bass, backing vocals, keys), Rob Davis (percussion), Matthew Greenslade (keys) Pippa Hoover (cello), Omar Ruis-Lopez, (violin and viola) and Rusty Smith (trumpet, flugle horn).

Photography: Chloe Noblit and Rich Spencer, art direction: Rich Spencer and Yael Zivan.

Special thanks to Elliot Beech, Nicola Beech, Randy Best, Robert Dale, Sarah Howe, Pamela and David Jackson, Chris Johnson, Stuart Lees, Charlotte Mason, Shannon O'Connor, Rusty Patterson, Robert Pritchard-Gordon, Tess Rivera, Bernard Rowe, and Keith Whitmore. On A Whim produced by Jeff Crawford and A Different Thread ℗ © 2018

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Some rights reserved. Please refer to individual track pages for license info.

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about

A Different Thread North Carolina

“Warm, deep singer-songwriters who have drank from the well of 20th century tradition” - Folk Radio UK

A Different Thread, is the collaboration between Robert Jackson from Lichfield, England, and Alicia Best from Durham, North Carolina, USA. Both traveling songwriters in their own right, they first met while busking in Galway, Ireland, back in 2016 and have been touring together ever since.
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